1. Reading or recalling the manifesto - serving as the incantation and theoretical foundation of the event.
2. The ontology of distortion: Standing before the paintings, we collectively decipher the modes of existence of internal entities and planets.
3. Dread as a medium: Examining contours, colors, and surfaces from an existential rather than a technical perspective.
How do the brush and paint become an outlet for nerve spasms and anxiety?
How does this raw, honest, shamanic approach relate to current contemporary trends?
An informal discussion with attendees on the role of art as exorcism and self-therapy.
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